Analysis Of The Film New York - 1687 Words

Aseem quite vividly describes the first time he heard about the film and how he came to be the cinematographer for it. He elaborates, â€Å"I had just come back from New York after shooting the film ‘New York’ and Irrfan called me and said there’s a film called Paan Singh Tomar. I hadn’t ever heard about him at the time. I had heard of Milkha Singh and other famous athletes and Phoolan Devi, Man Singh and other notorious bandits but not Paan Singh Tomar. Irrfan said there is a film, my friend is directing it, and he asked me to shoot it because of the way I shot Bhanwar (television docudrama). He really liked the look in the series. Bhanwar was how I met Irrfan as he had come to Delhi to shoot one of the episodes. So I met Tigmanshu and he gave me the script. The moment I read it I felt this was my kind of script. I liked it a lot. I liked the movie Bandit Queen- the way it was handled, the way it was shot, the consistency of the film/cinematography. Not t hat it influences or impacts my work, but I connected to the landscape- it’s pretty wild. You need to shoot that kind of landscape on Panavision because that’s how it makes you feel. It has lots of details, textures that, to me, are very important. In fact I didn’t even go for recce because there was no time, I saw some pictures and gave them basic requirements and started shooting.† The look of the film was quite clear in the cinematographer’s head. He explains that, â€Å"There are three sections in the film. The first featuresShow MoreRelatedAnalysis of Andrew Rossi ´s Documentary Film Page One: Inside the New York Times 548 Words   |  3 Pagesdocumentary film, Page One: Inside the New York Times fits into the finger categories of news media/entertainment and social relationships. The most relevant category is news media/entertainment. The New York Times is the nation’s oldest continually publishing major newspaper. 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